Good Morning Darkness
Good Morning Darkness
Personal Structures at Palazzo Bembo, Venice Biennale 2017
Good Morning Darkness
Personal Structures at Palazzo Bembo, Venice Biennale 2017
How I became a mountain
100cm x 60 cm / 2017 / FinaArtPaper under Plexi
"How I became a mountain"
100cm x 60 cm / 2017 / FinaArtPaper under Plexi
Good Morning Darkness I
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" I
80cm x 50cm / 2017 / Diasec
Good Morning Darkness II
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" II
80cm x 50cm / 2017 / Diasec
Good Morning Darkness III
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" III
80cm x 50cm / 2017 / Diasec
Good Morning Darkness IV
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" IV
80cm x 50cm / 2017 / Diasec
Good Morning Darkness V
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" V
80cm x 50cm / 2017 / Diasec
Good Morning Darkness VI
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" VI
80cm x 50cm / 2017 / Diasec
Good Morning Darkness VII
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"Good Morning Darkness" VII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness VIII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" VIII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness IX
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" IX
80cm x 50cm / 2017 / Diasec
Good Morning Darkness X
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" X
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XI
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness "XI
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XIII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XIII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XIV
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XIV
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XV
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XV
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XVI
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XVI
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XVII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XVII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XVIII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XVIII
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Good Morning Darkness XIX
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XIX
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XX
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XX
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XXI
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XXI
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XXII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XXII
80cm x 50cm / 2017 / Diasec
Good Morning Darkness XXIII
80cm x 50cm / 2017 / Diasec
"Good Morning Darkness" XXIII
80cm x 50cm / 2017 / Diasec

Good Morning Darkness (Personal Structures, Palazzo Bembo, Venice Biennale 2017)

“It’s not that you “see” nothing in the dark. On the contrary, in the darkness, all images in their original state are already there: I just have to “feel” them and develop them.
It is like being in the darkroom where I once developed my pictures and brought them to life. In a solution, the image slowly appeared on an empty white sheet.
When I worked as a filmmaker, my pictures were arranged in a series of thousands on celluloid tape, waiting to be projected onto the white wall by a beam of light. Every projection was a new act of creation. When the room became bright, my fantastic universe disappeared. The pictures were born, lived and faded away, fleeting witnesses of a moment.
I have mounted my works at the Venice Biennale as if on tape, one behind the other and set so closely that they partially melt together. If you follow them with your eyes, they move and are like thoughts that arise and fly away.” (BK 2017)

 


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